ENTRAPMENT by Stanley Princewill McDaniels
Gray nightscape. Oil and charcoal on wood, by Robert Rhodes. Praxis Magazine Online is pleased to present the newest addition…
Richard Long: Three Poems
Image by Manolo Franco from Pixabay The Names of Ghost Bikers There we are, we rise from asphalt roads, and…
New Signposts: The Language of Love
Richard Ali reviews The Seamstress, a short film written by Tee Jay Dan and directed by Paul Frank. A photo…
Antic, Thesis, and Antithesis in Aito Osemegbe’s “The List”
RELATED: THE SWALLOWS – AND THE GAMBLE OF REBIRTH I didn’t care if they understood what ‘bringing the pot down…
Manenzhe’s “Maserumo”: a brief history of several deaths
Resoketswe M. Manenzhe. Photo source: Writivism “Maserumo” is told like an audiotape recording—renditioned in this way even, would create the…
Losing Connections: A Review of Gloria Minage's “Boyi”
Losing Connections image by Tee Jay Dan The more prizes there are in the African literary landscape, the merrier—so goes…
“Learning forgetfulness from a textbook” by Ayomide ‘Wes Oriolowo
Photo by Kristina Flour on Unsplash Learning forgetfulness from a textbook What have your eyes seen as they travelled far…
Karen Poppy: Two Poems
Photo by Erik-Jan Leusink on Unsplash Cat Nap I lap up clean the halocline, That place where two waters Meet,…
‘I know how language shrinks spaces between strangers’: Echezonachukwu Nduka’s Chrysanthemums for Wide-Eyed Ghosts
Two Japanese poems shall be quoted in the course of this review. The first, translated from a haiku, reads: ‘No…
Album Review: Lives in Bracket’s Alive
Album Review: Lives in Bracket’s Alive Bracket From the moment an artiste takes the decision to work on an album…