“Hotel” by Chinwe Aga’ekwe
The Old Homestead, Umuaka. Lesley Agams 2015 Hotel The first time I stayed at a Hotel it felt like I…
On Writing about Gender and Winning the Writivism Prize – An Interview with Munachim Amah
Munachim Amah, an alumnus of the 2016 Farafina Trust Creative Writing Workshop facilitated by Chimamanda Ngozi Adicihie, is the 2017 winner…
ENTRAPMENT by Stanley Princewill McDaniels
Gray nightscape. Oil and charcoal on wood, by Robert Rhodes. Praxis Magazine Online is pleased to present the newest addition…
“Songs I know” by Adura Ojo
image source: pixabay.com Songs I know leaves fall around the garden in amber / green seams in dotted corners /…
Drowning under a sea of Absence
By Tara Birch Imagination is inadequate as a bridge to understanding to what comes racing down the street, falling from the…
Richard Long: Three Poems
Image by Manolo Franco from Pixabay The Names of Ghost Bikers There we are, we rise from asphalt roads, and…
“How We Spell Fear In Ekosodin” by Michael Ifeanyi Akuchie
How We Spell Fear In Ekosodin run: your own shadow will betray you. hide: your fear will set you on…
A NEW KIND OF HOME by Mary Ann Olaoye
A NEW KIND OF HOME by Mary Ann Olaoye ‘Tap, tap, tap’. The noise keeps repeating itself as palm hits…
New Signposts: The Language of Love
Richard Ali reviews The Seamstress, a short film written by Tee Jay Dan and directed by Paul Frank. A photo…
PRAXIS MAGAZINE ANNOUNCES NEW PLATFORM FOR HAUSA LITERATURE IN KANO
PRAXIS MAGAZINE ONLINE ANNOUNCES NEW PLATFORM FOR HAUSA LITERATURE IN KANO: The Praxis Hangout held on the 20th of July,…