OF OWNERSHIP, VENOM AND OIL THEFT
OWNERSHIP, VENOM AND OIL THEFT IN LAWRENCE AMAESHI’S SWEET CRUDE ODYSSEY The plot of Sweet Crude Odyssey is centered on…
“A Son's Song” by Esi Mensimah Eghan
A Son’s Song The sweet songs had been replaced by Sad ones “How long will man worship greed?” I wondered…
“Two Degrees Centigrade” by Robert Walton
Image by mohamed Hassan from Pixabay Two Degrees Centigrade Salt whispers words Elusive as tears, Secrets best heard Before the…
Transposing Invictus and a few issues between online retort culture and trauma writing: a response
Photo: Pluetoe, Pexels Transposing Invictus and a few issues between online retort culture and trauma writing: a response By Hannu…
Half of a Mellow Sum
Chiwetel ejiofor and Thandie Newton in Half of a Yellow Sun Film: Half of a Yellow Sun Director: Biyi…
Tradition and Leadership Roles in Soyinka’s Death and the King’s Horseman
African drama, like all other versions of drama and theatrical performances, has its roots in the age-long tradition of mimesis…
“Weight of the heart” by Neha Dasgupta-Parmar
Weight of the heart Thoughts overflowing on paper wondered if the page would hold the weight of the heart Neha…
“The Banana Shot” by Richard Ali
The Banana Shot for Fatima Umar (i) All the while you want to reach across the table Place your thumb…
Interview with 2017 Caine Prize Winner: Bushra al-Fadil
Credit: The Caine Prize Bushra al-Fadil, at 65, is reportedly the oldest writer to be shortlisted for the Caine Prize…
“Broken” by Sam Norman
image source: pixabay.com Broken My friend suffered an aneurism the other day. His brain hid a tangle of arteries the…