Bella Shmurda’s “Cash App” celebrates Mammon and the Nigerian dream
Bella Shmurda Bella Shmurda’s “Cash App” celebrates Mammon and the Nigerian dream Carl Terver Once in a while, a Nigerian…
Through the Eye of a Needle: Art in the Time of Coronavirus
Praxis Magazine Online is honoured to present a new digital chapbook of essays, Through the Eye of a Needle: Art…
A Brave Girl by Carl Terver
Photo: Larri and Terver A Brave Girl Carl Terver It all began when her breasts began to form and her…
Naira Marley as Zeitgeist: a response to Didi Cheeka – Olutosin Adetola
Singer Naira Marley by Olutosin Adetola Naira Marley as Zeitgeist Naira Marley’s persona is quite the phenomenon raising debates among…
“Formative Years: Should We Pay More Attention To Them?” by Isaac Newton Akah
image source: pixabay Formative Years: Should We Pay More Attention To Them? by Isaac Newton Akah Early, formative education, if…
Xomxom Hall by Aso Salisu
Photo: Carl Terver Xomxom Hall Aso Salisu It was the biggest examination hall in Government Secondary School, Gamko. No one…
THE WRETCHED OF THE COAL: ON LAWAL FAWAZ’S EL CARBÓN SERIES
In a season of futurism and flaunted venerations-of-the-moment, scarcely—often so scarcely—do we encounter a photographic image impelled by a distant…
On Writing about Gender and Winning the Writivism Prize – An Interview with Munachim Amah
Munachim Amah, an alumnus of the 2016 Farafina Trust Creative Writing Workshop facilitated by Chimamanda Ngozi Adicihie, is the 2017 winner…
“North Peace/ But Pieces” by Rahma O Jimoh
Photo by Nat Fernández on Unsplash NORTH PEACE/ BUT PIECESin this part of the world/ the sky bleaches/ from blue…
So, Now That We Have Killed Her by Obinna Udenwe
Nnedi came to visit and discovered that Edward was living with a younger woman and all hell was let loose.…