“we left when home became a portrait of pain” by Sodiq Oyekanmi
Image by Jerry A from Pixabay we left when home became a portrait of pain. (after Razaq Malik Gbolahan, No…
Indices of Identity: A Critical Take on Abu Amira’s “The Swahilification of Mutembei
Abu Amira’s “The swahilification of Mutembei” captures the episodes of becoming in the life of Mutembei. The unknown narrator, does…
Jim Wyoming: Three Poems
Photo by Jonathan Knepper on Unsplash Now, more than ever… I am absorbed in the white of snow and the…
Journal Stories 04: Carl Terver – A Backward Suburb
Photo credit: Oko Owi Ocho 7th Dec. 2014 1. A backward suburb is one that makes you feel you wake…
Self-Idolatry, or What Made Ngugi’s Story Most Translated?
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“Coming Together” by Lynn White
image source: pixabay.com Coming Together It was your idea to take shelter here, warm and dry you said and we…
“MAY WE CHEER TO SILENCE?!” by Nnamdi Laura Chioma
image source: pxhere.com MAY WE CHEER TO SILENCE?! Do you speak silence? Then drown me in your embrace Me, you,…
“Mourn” by Fasasi Abdulrosheed Oladipupo
Image by Samantha Eagleson from Pixabay Mourn Mourn the roses, a red cup full of blood, Mourn the bees, a…
“Body and Soul: Lost in Time” by Titilayo Adeoye
for su’eddie Because Lagos holds his umbilical cord he wears Eko garb if Edo is to hold him down will…
the weather inside: the art of Melissa D. Johnston
cover image: “the weather inside” by Melissa D. Johnston Hello World! Praxis Magazine Online is delighted to present our newest…