#ENDSARS: Documenting Words and Actions for Posterity
#EndSARS An #EndSARS infographic showing some of the victims Hello World! UPDATE: On February 13, 2021, Nigerian youths staged another…
Announcing the Toyin Falola Prize Shortlist
Toyin Falola Prize: Judge’s Commentary For the inaugural edition of the Toyin Falola Prize administered by LUNARIS, we hereby unveil…
THE HEART IS A CAGED ANIMAL by Nkateko Masinga
cover based on image “Sorrow” by Melissa D Johnston Praxis Magazine Online is honored to present the third chapbook in…
Niyi’s ‘Literary’ Biography
Niyi’s ‘Literary’ Biography Niyi Osundare: A Literary Biography has a charming book cover with a posterised portrait of the poet…
On Season of Crimson Blossoms: When Titles Like To Be Too Poetic
When Titles Like To Be Too Poetic: On Season of Crimson Blossoms TEJU Cole writes in his White-Saviour Industrial Complex…
2021 K & L Prize Call for Entries
THE K & L PRIZE: MADNESS The 2021 K and L prize is now receiving short stories on the theme,…
Bella Shmurda’s “Cash App” celebrates Mammon and the Nigerian dream
Bella Shmurda Bella Shmurda’s “Cash App” celebrates Mammon and the Nigerian dream Carl Terver Once in a while, a Nigerian…
Through the Eye of a Needle: Art in the Time of Coronavirus
Praxis Magazine Online is honoured to present a new digital chapbook of essays, Through the Eye of a Needle: Art…
OF OWNERSHIP, VENOM AND OIL THEFT
OWNERSHIP, VENOM AND OIL THEFT IN LAWRENCE AMAESHI’S SWEET CRUDE ODYSSEY The plot of Sweet Crude Odyssey is centered on…
“A Son's Song” by Esi Mensimah Eghan
A Son’s Song The sweet songs had been replaced by Sad ones “How long will man worship greed?” I wondered…